by Wilson Hurst, 1st year IDSVA student
Crossing Italy by bus, the first possibility was to deliver the external from its relativity and eternalize it by approximation to abstract subjective exclusion. A sense of place and time, what does the landscape demand of the participant? The content of the evolutionary creative process consists of fluctuations in this compromise relationship.
“Our investigations proceed from the presupposition that the work of art, as an autonomous organism, stands beside nature on equal terms and, in its deepest and innermost essence, devoid of any connection with it, in so far as by nature is understood the visible surface of things.” – Wilhelm Worringer