Paper: “Gone in a Flash, the camera as a tool for making graffiti” at the PhotoHistory/PhotoFuture Conference at The Rochester Institute of Technology. April, 2018
Appointed to the position of Lead Researcher and Archivist for the Estate of Michael Brewster. Brewster was a sonic artist active between 1970-2016. His work is in the Guggenheim as well as the Panza Collection in Milan, Italy.
Elected to the Board of the Kansas Association of Community Foundations (KACF), December 2017
Paper: “The Dialogical Museum: Authority and Answerability in a Multicultural World” for the Tenth International Conference on the Inclusive Museum. Manchester Museum, Manchester, UK. September 15-17, 2017
Invited to a month-long postdoctoral residential intensive in South India sponsored by the Indian Council of Philosophical Research and the Center for Phenomenological Studies, September - November 2017.
Currently pursing a Masters in Clinical Mental Health Counseling, in hopes of using Existential Therapy in concert with her PhD to assist clients in addressing issues of wellness, creative freedom, relationship navigation, and academic underachievement.
Exhibition, Recent Paintings, on view at Biotek Industries, May 2015
Currently organizing a traveling exhibition of her Women and Power series to show at independent bookstores and libraries nationally. The first show runs Feb 23 - April 6th at the Chatham Bookstore on Main St. in Chatham, NY (catalog to accompany the exhibitions forthcoming).
Paper: “Toward a Theory of Optimism” at the Beverly salon in September 2018. Her article, “The Future Imperfect” will be published in the upcoming annual journal of the Beverly salon, Beverly Philosophy Journal. Vol 1. (Title to come)
Forthcoming publication: “Street Art, Political Activism, and Surveillance” in The Revolution Will Be Live! Social Practice Art in Turbulent Times, edited by Kristina Olson & Eric Schruers (Routledge Press). (peer review)
Publication: "Care-Giving, Human Capital, and Genetically Engineered Children in the Twenty-First Century" in "New Maternalisms": Tales of Motherwork (Dislodging the Unthinkable), edited by Roksana Badruddoja (Demeter Press). ISBN 978-1-77258-000-6 (peer review)
Presented paper, "Display Holography in Art Practice: An Exploration of Interference," The Image Conference, University of California at Berkeley, October 29-30, 2015
Presented paper “The Interference of Art” Crossing Boundaries: Inclusion, Exclusion, Marginalization and the Hegemonic Making of Societies of Difference, Masaryk University, Czech Republic, Sept. 13, 2014
Awarded the Summer Study Grant for Affiliate Faculty, Loyola University in Maryland, 2015
Presented paper, "'Nothing to be Afraid of": Stan Brakhage's The Act of Seeing With One's Own Eyes" in the panel: "Death in Contemporary Visual Art" at Southeastern College Art Conference (SECAC), October 21-24, 2015, Pittsburgh, PA
Chair of Panel: "AMBUSHED: Pussy Grabs Back, Ya'll: Female Exhibitionism in Art and Performance," at SECAC in Birmingham, Alabama. October 2018
Chair of Panel: "Between Us: Aesthetic Experience as Care” and will present paper "Care-full: Love in the Photography of Vivian Meyer,” at the 10th Annual Dialogic Conference in Braga, Portugal at the University of Minho. June 2018
Short Film, "Silla de Ruedas" represented Nicaragua at the ICARO 2015 International Film Festival, Guatemala, November 21- 27, 2015
Presented paper, "Media Arts Education as an Open Field of Educational Practices" in the panel: "Art and Indeterminacy: Tactical Ambiguity in the Era of Standardized Testing" at Southeastern College Art Conference (SECAC), October 21-24, 2015, Pittsburgh, PA