Appointed the Executive Gallery Director at ROY G BIV Gallery for Emerging Artists.

Group Exhibition: FotoFocus Biennial- PhotOH: Photographers of the Heartland

Recipient of the the Indiana University Liberal Arts Career Achievement Award.

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Presentation: “Modernism in America: Retelling a Tale . . . of Two Cities” in the panel Rethinking Borders and Boundaries at the SECAC conference in Richmond, VA.

Presentation: "Gender and Fluid: A Reconsideration of the Stain in the Painting of Helen Frankenthaler" at SECAC, Baltimore, October 2022.

Presentation: "The Architectural Facade: Gothic to Contemporary Dissections on Surface Presentation” for the panel New Research in Architecture and Urban Design at the SECAC conference in Richmond, VA..

Presentation: "Extending the Accessibility of Contemporary Artwork: Venice Biennale as Present Authority?" for The International Journal of Art and Design Education (iJADE) Conference. November 11-13, 2022.

Presented: “Bakhtin and the Art of the Street: Unmasking Chicano Street Art as Parody” at the SECAC conference in Richmond, VA.

Milián was also granted the Gulnar Bosch Travel Award that recognizes merit and emerging scholarship in art, design, and art history at SECAC.

Presentation: "The Art of Storytelling as Pedagogy" at the FATE Conference, Denver, CO. April 2023.

Co-Presentation with IDSVA Alumna, Erin Latham: “Teaching Under ‘Protections from Discrimination and Woke Indoctrination’” (FATE) at SECAC in Richmond, VA.

Awarded "Docs In Progress 2023 Legacy Fellowship" for the project, "After Dark," which backtracks Mosley's dissertation work, "The Trans Performative God: Hip-Hop’s Retelling Of The Woman," to highlight the deep complexities of the Chicago Black American experience and its Chicago Blues.

Co-Presentation with IDSVA Alumna, Angela Mosely: “Teaching Under ‘Protections from Discrimination and Woke Indoctrination’” (FATE) at SECAC in Richmond, VA.

Presentation: "Plant Play" at the Annual Symposium on Computer-Human Interaction in Play (CHI PLAY), in Stratford, Canada.

Presentation "Media Art and Structures of Care" at RE:SOURCE, the 10th International Conference on the Histories of Media Art, Science and Technology in Venice, Italy.

Presentation: “Finding Home in the Songs of the Whale” at the 14th Pacific Association of the Continental Tradition (PACT) conference at Seattle University, September 2023.

Promoted to Associate Professor at Montserrat College of Art.

Presentation: “Maya Lin's Artwork Cultivates Diremption, Non-Attachment, and Ultimately Destitution as a Means of Coping with Human Extinction” on the art history panel Historical Reckoning on the Public Symbolic Landscape and Restorative Commemorative Projects at the SECAC Conference in Richmond, VA.

Presentation: "Picture Planes and Glyph Exchange: Feminist Offerings Fueled by Spaces Between" at the Black Mountain College Museum Conference, October 2022.

Presentation: “Reframing Noise Aesthetically Through Derrida’s Parergon” during the panel Performance Art as Rock and Roll: Meaning Out of Chaos at SECAC in Richmond, VA.

Appointment: Assistant Professor of Digital Audio Arts at The University of Lethbridge.

Presentation "The Incest Taboo and Transgression in Anaïs Nin’s House of Incest" at the"Taboo-Transgression-Transcendence in Art & Science Conference in Valletta. Malta.

Award: Best Experimental Film Award (Paris Film Festival) and Honorary Mention (Hollywood Short Film Festival) for her film "Viaggio: A Journey through Life."

Panel Chair: "The Impact of “Professionalism” on the Artist/Parent & How to Change a Culture" at SECAC in Richmond, VA.

Presentation: “Shifting Pedagogy for Holistic Learning in Higher Education” with Robert Howsare at SECAC in Richmond, VA.

Publication "Wolfgang Beltracchi and the authenticity of forgery: Not a moral failure’," in Visual Inquiry: Learning & Teaching Art.

Panel co-chair, along with IDSVA PhD Candidate, Jocelyn Holmes, of the session: "Decolonial Aesthetics: Toward Artistic and Philosophical Interventions" at SECAC in Richmond, VA.

Presentation: "Doris Salcedo’s Plegaria Muda: Remembering the Everyday Aesthetics of the Colombian Civil War" at the American Society for Aesthetics in Philadelphia, PA. April 2023.

Panel co-chair, along with IDSVA PhD Candidate, Kimberly Aimée Alvarado, of the session: "Decolonial Aesthetics: Toward Artistic and Philosophical Interventions" at SECAC in Richmond, VA.

Presentation: "Addressing Erasure Through Adriana Corral’s Memento: Vibrant Medium and A View of Decolonizing Feminist Thought" at SECAC, Baltimore, October 2022.

Presentation “Museums Rewriting History, Reclaiming Communities” in the session Making Museums Matter to Students, at SECAC in Richmond, VA.

Conference panel chair of the session "Diversity, Equity, Access, and Inclusion in the Emergence of Photography" at SECAC in Richmond, VA.

Presentation “Institutional Objects on Display --Remaining? Or Restituted?” at the 55th AICA Congress, in Krakow, Poland.

Participated in the Group Exhibition "Beautiful Mess" at Pictor Gallery, Chelsea, NYC.

Studio Art Session: "AI in Contemporary Art Practice" Panel Discussion, SECAC, Richmond, VA.

Artwork "Heritage" is part of the permanent collection Museu de L'Art Prohibit, Barcelona, Spain.

Group Exhibition "Celebration of the College of Liberal Arts and the School of Computer, Mathematical and Natural Sciences Faculty-Alumni Art Exhibit" at Morgan State University.

Group Exhibition "Don't Drag Me Down: Today's Battle for Liberation" Koehnline Museum of Art, Oakton College, Des Plaines, IL.

Presentation: "Carnivalizing Philosophy: The Future of Western Thought" at CAA.

Appointment: Adjunct positions at The College of Staten Island, in History of Philosophy and History of the Caribbean. Staten Island, NY.

Created permanent sculpture at Indiana University Kokomo along with two students.

Promotion: Full Professor and Chair of the Fine Arts Department, Indiana University Kokomo.

Duo exhibition "Ritual Reparations" with IDSVA student, Lisa Tremaine. Eula Mae Edwards Gallery at Clovis Community College, Clovis, New Mexico, February 2023.

Presenting "Reclaiming Endings: Beginnings Through Explosions" at the 7th World Conference on Social Sciences and Humanities (SHCONF) in May 2024 in Munich, Germany.

Presentation: "The Sweet and Subtle Smashing of the Status Quo – Not Just a Pile of Candy" at SECAC, Baltimore, October 2022.

Appointment: Teaching "Still Life and Floral Painting in oils" at the Kirkland Arts Center in Kirkland, Washington.

Group Exhibition: COCA Members' Show "20/20" at COCA (Center On Contemporary Art), Seattle, WA.

Award: Don Lavoie Fellowship for the 2022-2023 academic year.

Appointed Instructor at College of DuPage in the fine arts program.

Presentation: "Bad Bunny's Aesthetics: from sound to visual perception." 16th annual meeting of The Comparative and Continental Philosophy Circle. The Pontífica Universidad Javeriana. Bogotá, Colombia.

"Queering Death in Puerto Rican Cinema." Annual Film-Philosophy Conference. Chapman University. Irvine, California, USA.

Appointed Assistant Professor at Lansing Community College.

Presentation: “The First Female Engineer at General Motor’s Descent into Alzheimer’s with Sundowners: A Daughter’s Scholarly Research and Case Study as Caregiver” at the Alzheimer's Association International Conference (AAIC).

Appointment: American Art at Eastern Connecticut State University.

Appointment: "ART 402: Issues in Contemporary Art" at Eastern Connecticut State University.

Received the 2023 "62 Salón de Julio Guayaquil Ecuador Award."

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Group Exhibition "Las Tierras sin Nombre, Speculative fiction and the Museum."

Publication in "A Window Suddenly Opens: Contemporary Photography in China." Yale University Press, 2023.

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Publication: Journal of Daoist Studies

Received a fellowship from the C. Sylvia and Eddie Brown Driskell Center Scholars Advancement Fund. The award will fund travel and research for Dr. Orwel's new book on David C. Driskell. As part of the award, he'll present a lecture at the ​David C. Driskell Center's gallery.

Appointment: Adjunct Assistant Professor of Literature at Hunter College, New York.

Publication: “Historic Decisions: Looking Deliberately at the Past.” Connections (2020): 21-28.

Appointed Senior Program Officer for the Kettering Foundation's Democracy and the Arts Program.

Presentation: "Repurposing Purposiveness Without Purpose: On Works of Art as Complex Adaptive Information Systems" at the Society for Literature, Science, and the Arts (SLSA) conference at Purdue University in Indiana.

Award "Art as Information Ecology: Artworks, Artworlds, and Complex Systems Aesthetics" has been nominated for the American Society of Aesthetics "Outstanding Monograph"

Founder of The GlassHouse.

Appointment: Assistant Professor in Digital Media at Maynooth University.

Publication: "Pseudorandom: generative animation as performance in Emergent" in the International Journal of Performance Arts and Digital Media.

Presentation: "Beating Burnout:The Balance Between Trusting the Process and Trusting Yourself," at the 2022 National Dance Education Organization Conference on October 29, 2022, in Atlanta, GA.

Presentation: "Black Anime Fans: A Discussion on Afrofuturism and Ascension" at Performing Black Futures: Performance Studies Focus Group Post-Conference.

Appointment: Executive Director of T.W. Wood Gallery in Burlington, VT.

Group Exhibition Participation: "Seeing Truth: Art, Science, Museums, and Making Knowledge" at the William Benton Art Museum, University of Connecticut, 2023.

Presentation: “Urban Rural Flow” at Rural Imaginations conference, Amsterdam University.

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Appointment: Professor, Art Appreciation at Baker College.

Appointed as a "Subject Matter Expert" (course content builder) and Professor of Art Theory with Tiffin University. Tiffin, OH.

Appointed the Interim Executive Director at 500 Capp Street.

Appointment: College Art Association (CAA) Board of Directors for the 2019-2024 term

Conference Participation: "Culturing Biodesigners: Pedagogical Approaches to Biodesign" at the 17th International Conference on Design Principles and Practices. Lisbon Polytechnic, Portugal. March 29-31, 2023.

Publication: "What Biodesign Means to Us" in Biodesigned.

Presentation: "Bread Philosophy: Forgotten Justices in Situating Scott Nearing" as part of the 2021 Speaker Series at the Good Life Center in Harborside, ME.

Appointed to the board of the Good Life Center. March 2023.

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Publication: "Art Activism and the Environment" is included in Ecothee Volume 6: Contemporary ecotheology, climate justice and environmental stewardship in world religions.

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Presentation: "The Intertextual Studio: Research, Technique, and The Paradigm of the Artist/Scholar" at SECAC, Baltimore, October 2022.

Book Publication: Wittgenstein and the Problem of Metaphysics: Aesthetics, Ethics and Subjectivity by Bloomsbury Press.

Appointed: Tenured Associate Professor at Abilene Christian University.

Appointment: Assistant Professor of Art History at Queensborough Community College and Art History Professor at LIM.

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Panel Co-Chair: “Scratching the Surface: Punk, Hip Hop, and Graffiti” at SECAC

Panel Chair: "Transgressive Tendencies: Stepping Over to Go Beyond" at CAA 2023. New York, NY

Appointment: Associate Professor of Art at Northern State University.

Appointment: Executive Director, Western Kansas Community Foundation.

Presentation: "Action Required: Sound Art’s Transgressions against Passivity." CAA 2023. New York, NY

Appointment: Art History Instructor at California State University - San Bernardino.

Book Publication: The Templars’ Chalice, a novel by Shadow Rock Publishing, LLC

Appointment: Mellon Project Director in the African American and African Diaspora Studies Department (AAADS) at Columbia University.

Book Publication: Machine Anxieties of Steampunk: Contemporary Philosophy, Neo-Victorian Aesthetics, and the Future by Bloomsbury Press

Appointment: Adjunct Faculty at The Barnes Foundation

Named "Adjunct of Year" for Rowand College of South Jersey

Owner, davisstudio, LLC

Organized a traveling exhibition of her Women and Power series to show at independent bookstores and libraries nationally.

Appointment: Foster Chair in Contemporary Art Theory and Practice and Distinguished Curator-in-Residence at Emerson College.

Co-curated "John Preus: The Beast (Herd Mentality)," at Montserrat College of Art.

President Jennifer Ford Art Advisors and President Choice Designs

Appointment: Full-time Assistant Professor of the Practice and Digital Media Specialist, Georgetown University.

Promotion: Associate Professor of the Practice in the Department of Art & Art History at Georgetown University.

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Appointment: Assistant Teaching Professor at Villanova University, PA in the Communication Department (Courses: Film Analysis and Video Production).

Appointment: Co-Director of Global Programs + Art Faculty at Greenwich Country Day School.

Book Publication: Politics and Heidegger’s Concept of Thinking in Contemporary Art. Routledge. September 2021.

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Brown is working with Barbara Hielscher-Witte, Director at the Expressive Arts Institute Berlin as part of the Masters in Expressive Arts Therapy program at the European Graduate School, Switzerland. In addition to this program, Brown is attending Expressive Arts in Transition (EXIT) and Community Ritual: Moving Toward Belonging After Trauma and Displacement.

Co-Curator: "Futuring the Past: Contemporary Explorations of Traditional Performance Practices in Technology" at the The Society for Electro-Acoustic Music in the United States (SEAMUS) 2021 National Conference

Appointment: Assistant Professor of Dance at Temple University, Boyer College of Music and Dance, with a focus on Africanist Perspectives in Contemporary Dance Practices

Founder and Owner, SeedVerse LLC

Solo Exhibition "Sun, Moon, Egg" at the Penumbra Foundation, New York, NY.

Publication: "The Oceanic as Perpetual Revolt: Intimacy and Negativity in Jeanette Spicer’s 'Sea (see)'" in Journal of the Association for the Continental Tradition (JPACT)

Publication: “The Empty Sublime: Robert Rauschenberg in a Comparative Context”, in The Journal for Comparative and Continental Philosophy.

Created an installation project in southwest México, entitled "Casa Adobe" using field grass, earth, and burro dung. The structure covers approximately 200 square meters of terrain at the base of Mt. Picacho.

Solo Exhibition: "Imaginary Letters to Vasily Grossman, Post-WWII Repatriation to Soviet Armenia" at the Festival TransCaucases (INALCO) Paris, France

Solo Exhibition: "Art and Ethnography: Post-World War II Repatriation to Soviet Armenia" at INALCO (Institut national des langues et civilisations orientales)

Award: Arts4All Teaching Artist Residency by the Collier County Department of Juvenile Justice in Naples, FL

Co founded: Studio EA, a multi discipline creative firm focussing on architecture, art and collaboration.

Publication: "The Subject and Object in Knowledge and Understanding" (Article 3488) in the online journal Academia Letters.

Publication: "What is Becoming?" in the online journal Academia Letters.

Publication: (Untitled), in the monograph Richard Hearns: Journey, to accompany Hearns' solo exhibition at Cadogan Contemporary.

Publication: "The Soul of the First Line," "To Calligraph a Reverie," "The Poet's Dilemma," and "Multiplicity" in the final edition of the Oregon College of Art and Craft literary magazine.

Appointment: Chair of the Writing Program and Instructor of Writing and Digital Literacy at Antioch College, Ohio.

Participation: residency Oral History in Liberal Arts Institutes at Antioch College and the American University of Bulgaria.

Interview with KUNR Public Radio: https://www.kunr.org/news/2023-01-18/tribes-await-return-ancestor-remains-database-reveals-repatriation-law-failures

Appointment: Director and Chief Curator at the University of Wyoming Art Museum, 2020.

Group Exhibition: Abstract Stich & Dye and Art Exhibit at Café Melo Gallery in Harlem presented by Access Black Art.

Award: Lifetime Achievement Award from Marla Quilts, Inc. African American Quilt Museum and Textile Academy

Award: 2021 California Arts Council Administrator of Color Fellowship

Curated "Manifesting Myths," as part of the Emerging Curators Program NYC. Local Project Art Space, Long Island City.

Podcast Host, July 2022. GUCCI / SUPERRARE Collaboration. Topic: "NFTs, Art, Fashion & Web3," Mini Podcast Series.

Publication: Cover artwork and illustrations in Helen Najera Reyes book, Grandpa Lee's Stories, New Mexico to California. The book has also been nominated to the Latino International Book awards, under the young adult category.

Participation in Artist Residency at the Studios at MASS MoCA, 2019.

Presentation: "Humanity: Reflecting upon Belonging Beyond Boundaries" at the Universities Art Association of Canada (UAAC).

Group Exhibition: "Washington Art Association Faculty Show" Washington Depot, CT.

Solo Exhibition: Flowers and Figures for Mother’s Day, Atelier Lucia Gallery, Albuquerque, NM

Presentation: “Kitsch and the Lack of Imagination,” at The Representational Art Conference (TRAC).

Presentation: “Aestheticizing a Counter-Memory” at CAA, 2021.

Participation in the Poster Session "Resituating Art in Education by Disrupting the Modern Conception of Time" at CAA 2020.

Presentation: "Becoming Monumental: The Contemporary State of Black Female Subjectivity" at the virtual conference: Art, Access and Agency-Art Sites of Enabling.

Panel Co-Chair: "Reframing Aesthetics: Diaspora, Historicity, and The Myth of Truth" at CAA

Appointment: Interim Editor of Landscape Journal, the primary academic journal for landscape architects based in North America.

Presentation: "Design like a Nomad" at the Council of Educators in Landscape Architecture Conference (CELA)

Appointed in house UX/UI Experience Designer at Ralph Lauren. New York, NY 2022.

Group Exhibition: WOW: Worlds of Women at Trieste Photo Days 2022 International Photographic Festival. September 2022.

Presentation: "Performative Knowledge: Overcoming Static Epistemologies on Human Nature" at the Ryerson Philosophy Graduate Student Conference: Disagreement and Philosophy

Publication: "The Clock in Profile: How Marcel Duchamp Challenged Time to Become an Artist-Philosopher" in Marcel Duchamp: inventing the Present.

Presentation: "Putting Out Fires: David Lynch's Giant Fireman" at CAA.

Presentation: "Spacetime and Virtual Reality: temporal recalibration for neurological disorders such as Parkinson's disease, schizophrenia, ADHD, and autism by using movement contingent time flow in virtual reality" at the Society for Literature, Science, and the Arts National Hellenic Research Foundation in Athens, Greece.

Co-curated Jay Milder solo exhibition at Casa Museo Mexico, Havana, Cuba

Publication: The Aesthetic of Art a Quiz E-Book by Cognella Editors & University Press.

Promotion: Senior Vice President of Academic Affairs, Rocky Mountain College of Art and Design. Lakewood, CO.

Presentation: “The Conjuring Visual Intermediaries: African-Derived Spiritual Practices In Visual Art” at  Kosanba: The Scholarly Association for the Study of Haitian Vodou Colloquium.

Presentation: “Erzulie and Proud Mary’s: Mary Turner and Mary Thomas” at the Black Portraitures V: Memory and the Archive Past. Present. Future, at NYU.

Appointment: Department Head of Visual Arts at Pensacola State College.

Presentation: "Reconsidering Visual Perception: Extending Neuroaesthetics into Phenomenological Embodiment" at Southeastern Association for the Continental Tradition (SEACT)

Appointment: Assistant Professor, Art Department, Graphic Design & New Media at SUNY Potsdam.

Presentation: “Celebrating Bachelard’s Pyromenon Through the Practice of Good Fire, an Anarchic Ceramic Experience” along with Tim Freeman at the12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).

Presentation: "Motility of Being: How Otherness Emerges Through Art and Anarchic Play” at the 12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).

Appointment: Visiting Researcher at Pompeu Fabra University, Barcelona, Spain.

Publication: A Psychological Journey into Otherness an essay in the book "Between Mobility Control and Social Transformation: Art/Interdisciplinary project Risk Change."

Group Exhibition: "Big Sky" at Marfa Studio Arts.

Elected member of the Society of Encouragement and Education

Group Exhibition in Pekin, China.

Presentation: "The Inception of Detroit Techno: How Abjection and Bleakness Spur Hope Through a New Genre of Music" at SECAC, Baltimore, October 2022.

Presentation: "From Abuse to Transformation: The Interpretive Work of Counter-Confederate Structures" at SECAC.

Appointment: Full Professor: 2D and 3D Design, University of Memphis, TN.

Presentation: "Georgia O’Keeffe and Martin Heidegger: On the way to Dwelling in the Threshold" at the American Society for Aesthetics Rocky Mountain Division Conference.

Solo Exhibition: "Vital Traces" at the University of Maine at Farmington. September 14, 2021

Presentation: "Body Soul Crisis Recovery: An Interdisciplinary Graduate Conference" at The College of the Arts and Sciences, University of St. Thomas, St. Paul, MN, April 2021