Appointment: Full-time Assistant Professor of the Practice and Digital Media Specialist, Georgetown University.

Promotion: Associate Professor of the Practice in the Department of Art & Art History at Georgetown University.

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Group Exhibition: Abstract Stich & Dye and Art Exhibit at Café Melo Gallery in Harlem presented by Access Black Art.

Award: Lifetime Achievement Award from Marla Quilts, Inc. African American Quilt Museum and Textile Academy

Award: Best Experimental Film Award (Paris Film Festival) and Honorary Mention (Hollywood Short Film Festival) for her film "Viaggio: A Journey through Life."

Appointment: Teaching "Still Life and Floral Painting in oils" at the Kirkland Arts Center in Kirkland, Washington.

Group Exhibition: COCA Members' Show "20/20" at COCA (Center On Contemporary Art), Seattle, WA.

Presentation: “Mothering as a Work of Art” at SECAC, Baltimore, October 2022.

Solo Exhibition: "See Through Me" at West Virginia Wesleyan College.

Presentation: "Rust v. Sullivan and its Influence on Contemporary Public Art: A Look at Government Infringement and Censorship in American Public Murals" at SECAC, Baltimore, October 2022.

Appointment: Director of Operations of College of Arts and Humanities, College of Natural and Social Sciences, Adult Degree Completion and Online Undergraduate Studies at Point Loma Nazarene University in San Diego, CA

Presentation: "Addressing Erasure Through Adriana Corral’s Memento: Vibrant Medium and A View of Decolonizing Feminist Thought" at SECAC, Baltimore, October 2022.

Panel Co-Chair: "Reframing Aesthetics: Diaspora, Historicity, and The Myth of Truth" at CAA

Presentation: "The Conjunctive Form That Is Animation" at SECAC, Baltimore, October 2022.

Presentation: "Listening to the Language of the Machine" at the SLSA Conference 2022.

Presentation: "The Brain and the Boogeyman: Instinct and Survival" at SECAC, Baltimore, October 2022.

Presentation: "Flux, Wi-Fi, Fractals: Opening the Investigation into Spatial Rhythms" at the SLSA Conference 2022.

Appointment: Adjunct Faculty, Philosophy and Writing at the Columbus College of Art & Design, Columbus, Ohio.

Group Exhibition: FotoFocus Biennial- PhotOH: Photographers of the Heartland

Presentation: "Picture Planes and Glyph Exchange: Feminist Offerings Fueled by Spaces Between" at the Black Mountain College Museum Conference, October 2022.

Presentation: "Extending the Accessibility of Contemporary Artwork: Venice Biennale as Present Authority?" for The International Journal of Art and Design Education (iJADE) Conference. November 11-13, 2022.

Appointment: Associate Professor of Art at Northern State University.

Presentation: "Street Art and the Disruption of the Expected" at SECAC, Baltimore, October 2022.

Appointment: Professor and Chair of Department of Art & Design at the University of Southern Indiana.

Presentation: "The Sweet and Subtle Smashing of the Status Quo – Not Just a Pile of Candy" at SECAC, Baltimore, October 2022.

Appointment: Art History Instructor at California State University - San Bernardino.

Presentation "'Other' Play-Acting: Performance Art’s Colonialist Critique" at SECAC, Baltimore, October 2022.

Award: Don Lavoie Fellowship for the 2022-2023 academic year.

Presentation: "Gender and Fluid: A Reconsideration of the Stain in the Painting of Helen Frankenthaler" at SECAC, Baltimore, October 2022.

Presentation: "Uninvited Attunements" at SECAC, Baltimore, October 2022.

Presentation: "The Intertextual Studio: Research, Technique, and The Paradigm of the Artist/Scholar" at SECAC, Baltimore, October 2022.

Appointment: Assistant Professor of Digital Audio Arts at The University of Lethbridge.

Appointment: the Chairperson for the Diversity and Inclusion Committee for AES (Audio Engineering Society).

Appointment: Assistant Professor in Digital Media at Maynooth University.

Book Publication: The Maternal, Digital Subjectivity, and the Aesthetics of Interruption by Bloomsbury Press.

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Presentation: “Art as Seeds for New Beginnings, the Work of Artist Angelica Alomoto” in the panel Ecocritical Art Historíes in Indigenous Latin America at the CAA 2023.

Award: Adolph and Esther Gottlieb individual support grant. The Gottlieb foundation awards 20 individual support grants to artists who are in a mature phase of their careers.

Editor, The Aestheticization of History and the Butterfly Effect: Visual Arts Series, Vernon Press, 2023

Presentation: “The End of Art in the Artist Philosopher” at SECAC, Baltimore, October 2022.

Presentation: "Beating Burnout:The Balance Between Trusting the Process and Trusting Yourself," at the 2022 National Dance Education Organization Conference on October 29, 2022, in Atlanta, GA.

Presentation: "Black Anime Fans: A Discussion on Afrofuturism and Ascension" at Performing Black Futures: Performance Studies Focus Group Post-Conference.

Publication: "The Oceanic as Perpetual Revolt: Intimacy and Negativity in Jeanette Spicer’s 'Sea (see)'" in Journal of the Association for the Continental Tradition (JPACT)

Appointment: CAA’s Committee on Women in the Arts for a three-year term. The committee supports and promotes the scholarship, art practice and careers of women in the arts.

Publication: “The Empty Sublime: Robert Rauschenberg in a Comparative Context”, in The Journal for Comparative and Continental Philosophy.

Created an installation project in southwest México, entitled "Casa Adobe" using field grass, earth, and burro dung. The structure covers approximately 200 square meters of terrain at the base of Mt. Picacho.

Presentation: "Repurposing Purposiveness Without Purpose: On Works of Art as Complex Adaptive Information Systems" at the Society for Literature, Science, and the Arts (SLSA) conference at Purdue University in Indiana.

Award "Art as Information Ecology: Artworks, Artworlds, and Complex Systems Aesthetics" has been nominated for the American Society of Aesthetics "Outstanding Monograph"

Presentation: "Becoming Monumental: The Contemporary State of Black Female Subjectivity" at the virtual conference: Art, Access and Agency-Art Sites of Enabling.

Panel Co-Chair: "Reframing Aesthetics: Diaspora, Historicity, and The Myth of Truth" at CAA

Joined the new Pictor Gallery NYC, where she serves on their Governance.

Solo Exhibition: Pictor Gallery, New York, NY.

Appointment: "ART 402: Issues in Contemporary Art" at Eastern Connecticut State University.

Appointment: Assistant Professor of Art History at Queensborough Community College and Art History Professor at LIM.

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Panel Co-Chair: “Scratching the Surface: Punk, Hip Hop, and Graffiti” at SECAC

Promotion: Full Professor and Chair of the Fine Arts Department, Indiana University Kokomo.

Featured artist at Kaatsbaan Cultural Center Summer Season.

Appointment: Chief of Staff, The Studio Museum in Harlem, reporting to the Director and Chief Curator, Thelma Golden.

Appointment: Adjunct Assistant Professor of Literature at Hunter College, New York.

Appointment: Editor and Co-Host Culture Road Podcast (Philosophy and Critical Theory).

Appointment: Adjunct Faculty at The Barnes Foundation

Named "Adjunct of Year" for Rowand College of South Jersey

Appointment: President-elect of the College Art Association (CAA) for a two-year term (2022-24).

Appointment: College Art Association (CAA) Board of Directors for the 2019-2024 term

Appointment: Instructor of Art at Clovis Community College, New Mexico

Appointment: Department Head of Visual Arts at Pensacola State College.

Presentation: "Reconsidering Visual Perception: Extending Neuroaesthetics into Phenomenological Embodiment" at Southeastern Association for the Continental Tradition (SEACT)

Appointment: Co-Director of Global Programs + Art Faculty at Greenwich Country Day School.

Book Publication: Politics and Heidegger’s Concept of Thinking in Contemporary Art. Routledge. September 2021.

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Appointment: Assistant Professor, Art Department, Graphic Design & New Media at SUNY Potsdam.

Appointed: Assistant Visiting Professor for Graphic Design and New Media at SUNY Potsdam.

Presentation: "Motility of Being: How Otherness Emerges Through Art and Anarchic Play” at the 12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).

Appointment: Visiting Researcher at Pompeu Fabra University, Barcelona, Spain.

Appointment: Professor, Art Appreciation at Baker College.

Co-Curator: "Futuring the Past: Contemporary Explorations of Traditional Performance Practices in Technology" at the The Society for Electro-Acoustic Music in the United States (SEAMUS) 2021 National Conference

Appointment: Assistant Professor of Dance at Temple University, Boyer College of Music and Dance, with a focus on Africanist Perspectives in Contemporary Dance Practices

Appointment: Foster Chair in Contemporary Art Theory and Practice and Distinguished Curator-in-Residence at Emerson College.

Co-curated "John Preus: The Beast (Herd Mentality)," at Montserrat College of Art.

Presentation: "From the Ground Up, Seeking Creative Commons" at the virtual conference: Art, Access and Agency-Art Sites of Enabling.

Appointment: Executive Director of T.W. Wood Gallery in Burlington, VT.

Presentation: "From Abuse to Transformation: The Interpretive Work of Counter-Confederate Structures" at SECAC.

Appointment: Full Professor: 2D and 3D Design, University of Memphis, TN.

Presentation: “Acoustic Imprints: Sounds of Silence in Contemporary Art” at the 13th Annual PACT (Pacific Association of the Continental Tradition) Conference at the University of San Francisco from September 8-10, 2022.

Presentation: 2022 NEH Summer Institute in Geo-Humanities at Northeastern University: "Engaging Geography in the Humanities."

Appointed: Tenured Associate Professor at Abilene Christian University.

Presentation: "Creative Dialectic: An Analysis of AI + Human Collaboration and the Question of Authorship" at the SLSA Conference, 2022.

Appointment: Adjunct Professor in Multimedia Studies, New York Institute of Technology, New York, NY.

Promotion: Senior Vice President of Academic Affairs, Rocky Mountain College of Art and Design. Lakewood, CO.

Publication: “Historic Decisions: Looking Deliberately at the Past.” Connections (2020): 21-28.

Appointment: Program Officer, The Kettering Foundation.

Appointment: Executive Director, Western Kansas Community Foundation.

President Jennifer Ford Art Advisors and President Choice Designs

Co-Founder of the Travel Almanac Magazine, the first true post-tourism publication.

Appointment: Assistant Teaching Professor at Villanova University, PA in the Communication Department (Courses: Film Analysis and Video Production).

Owner, davisstudio, LLC

Organized a traveling exhibition of her Women and Power series to show at independent bookstores and libraries nationally.

Book Publication: The Templars’ Chalice, a novel by Shadow Rock Publishing, LLC

Publication: (Untitled), in the monograph Richard Hearns: Journey, to accompany Hearns' solo exhibition at Cadogan Contemporary.

Publication: "The Soul of the First Line," "To Calligraph a Reverie," "The Poet's Dilemma," and "Multiplicity" in the final edition of the Oregon College of Art and Craft literary magazine.

Book Publication: Machine Anxieties of Steampunk: Contemporary Philosophy, Neo-Victorian Aesthetics, and the Future by Bloomsbury Press

Appointment: Mellon Project Director in the African American and African Diaspora Studies Department (AAADS) at Columbia University.

Publication: "Art Activism and the Environment" is included in Ecothee Volume 6: Contemporary ecotheology, climate justice and environmental stewardship in world religions.

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Book Publication: Wittgenstein and the Problem of Metaphysics: Aesthetics, Ethics and Subjectivity by Bloomsbury Press.

Brown is working with Barbara Hielscher-Witte, Director at the Expressive Arts Institute Berlin as part of the Masters in Expressive Arts Therapy program at the European Graduate School, Switzerland. In addition to this program, Brown is attending Expressive Arts in Transition (EXIT) and Community Ritual: Moving Toward Belonging After Trauma and Displacement.

Founder and Owner, SeedVerse LLC

Presentation: "Carnivalizing Philosophy: The Future of Western Thought" at CAA.

Appointment: Adjunct positions at The College of Staten Island, in History of Philosophy and History of the Caribbean. Staten Island, NY.

Solo Exhibition: "Imaginary Letters to Vasily Grossman, Post-WWII Repatriation to Soviet Armenia" at the Festival TransCaucases (INALCO) Paris, France

Solo Exhibition: "Art and Ethnography: Post-World War II Repatriation to Soviet Armenia" at INALCO (Institut national des langues et civilisations orientales)

Award: Arts4All Teaching Artist Residency by the Collier County Department of Juvenile Justice in Naples, FL

Co founded: Studio EA, a multi discipline creative firm focussing on architecture, art and collaboration.

Symposium Co-organizer and Presenter at the Midwest Biodesign Hub Launch.

Publication: "What Biodesign Means to Us" in Biodesigned.

Appointment: Chair of the Writing Program and Instructor of Writing and Digital Literacy at Antioch College, Ohio.

Participation: residency Oral History in Liberal Arts Institutes at Antioch College and the American University of Bulgaria.

Appointment: Director and Chief Curator at the University of Wyoming Art Museum, 2020.

Publication: Chapted titled "Stealing Culture: The Internationalization of Critical Race Theory Through the Intersection of Criminal Law and Museum Studies" in the book Critical Race Theory in the Academy, Information Age Publishing.

Award: 2021 California Arts Council Administrator of Color Fellowship

Publication: Cover artwork and illustrations in Helen Najera Reyes book, Grandpa Lee's Stories, New Mexico to California. The book has also been nominated to the Latino International Book awards, under the young adult category.

Participation in Artist Residency at the Studios at MASS MoCA, 2019.

Presentation: "Humanity: Reflecting upon Belonging Beyond Boundaries" at the Universities Art Association of Canada (UAAC).

Group Exhibition: "Washington Art Association Faculty Show" Washington Depot, CT.

Solo Exhibition: Flowers and Figures for Mother’s Day, Atelier Lucia Gallery, Albuquerque, NM

Presentation: “Kitsch and the Lack of Imagination,” at The Representational Art Conference (TRAC).

Presentation: “Aestheticizing a Counter-Memory” at CAA, 2021.

Participation in the Poster Session "Resituating Art in Education by Disrupting the Modern Conception of Time" at CAA 2020.

Presentation: "Performative Knowledge: Overcoming Static Epistemologies on Human Nature" at the Ryerson Philosophy Graduate Student Conference: Disagreement and Philosophy

Publication: "The Clock in Profile: How Marcel Duchamp Challenged Time to Become an Artist-Philosopher" in Marcel Duchamp: inventing the Present.

Presentation: "Putting Out Fires: David Lynch's Giant Fireman" at CAA.

Presentation: "Spacetime and Virtual Reality: temporal recalibration for neurological disorders such as Parkinson's disease, schizophrenia, ADHD, and autism by using movement contingent time flow in virtual reality" at the Society for Literature, Science, and the Arts National Hellenic Research Foundation in Athens, Greece.

Co-curated Jay Milder solo exhibition at Casa Museo Mexico, Havana, Cuba

Publication: The Aesthetic of Art a Quiz E-Book by Cognella Editors & University Press.

Presentation: “Celebrating Bachelard’s Pyromenon Through the Practice of Good Fire, an Anarchic Ceramic Experience” along with Tim Freeman at the12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).

Publication: A Psychological Journey into Otherness an essay in the book "Between Mobility Control and Social Transformation: Art/Interdisciplinary project Risk Change."

Group Exhibition: "Big Sky" at Marfa Studio Arts.

Presentation: “Urban Rural Flow” at Rural Imaginations conference, Amsterdam University.

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Round table discussion "Morality and Entrepreneurship" at Lighthouse's "Adventures 2019" in Seoul, Korea.

Presentation: "The Inception of Detroit Techno: How Abjection and Bleakness Spur Hope Through a New Genre of Music" at SECAC, Baltimore, October 2022.

Presentation: "Georgia O’Keeffe and Martin Heidegger: On the way to Dwelling in the Threshold" at the American Society for Aesthetics Rocky Mountain Division Conference.

Presentation: “The First Female Engineer at General Motor’s Descent into Alzheimer’s with Sundowners: A Daughter’s Scholarly Research and Case Study as Caregiver” at the Alzheimer's Association International Conference (AAIC).

Presentation: "Bread Philosophy: Forgotten Justices in Situating Scott Nearing" as part of the 2021 Speaker Series at the Good Life Center in Harborside, ME.

Solo Exhibition: "Vital Traces" at the University of Maine at Farmington. September 14, 2021

Presentation: "Body Soul Crisis Recovery: An Interdisciplinary Graduate Conference" at The College of the Arts and Sciences, University of St. Thomas, St. Paul, MN, April 2021

Presentation: “Mourning as True Anarchy—Philosophical Thinking Reimagined as a Grieving-With Shared Ecologies Upon an Earth in Trouble" at the 12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).

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Presentation: “The Gaze of Anarchy: from the imaginary to its rehearsal" at the 12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).

Publication: “The Madonna’s Breast and the Surprise of the Real: From Ideal to Embodied” in the publication Breasts Across Motherhood: Lived Experiences and Critical Examinations.

Presentation: “The Conjuring Visual Intermediaries: African-Derived Spiritual Practices In Visual Art” at  Kosanba: The Scholarly Association for the Study of Haitian Vodou Colloquium.

Presentation: “Erzulie and Proud Mary’s: Mary Turner and Mary Thomas” at the Black Portraitures V: Memory and the Archive Past. Present. Future, at NYU.

Publication: "The Subject and Object in Knowledge and Understanding" (Article 3488) in the online journal Academia Letters.

Publication: "What is Becoming?" in the online journal Academia Letters.

Presentation: "Hair Straightening in the Hispanic Caribbean: Race, Commodification, Neurosis, and Passing Mestizidad" at CAA.

Presenteation:"Aesthetic (Moral) Agency and a Viceroyal Peru" at the Universities Art Association of Canada (UAAC).

Appointment: Interim Editor of Landscape Journal, the primary academic journal for landscape architects based in North America.

Presentation: "Design like a Nomad" at the Council of Educators in Landscape Architecture Conference (CELA)

Presentation: "All But the Burden: Writing A Globalized Art Performative Using a DisCrit Perspective" at the Artistic Research conference in Africa (Johannesburg, South Africa).

Publication: Women Hip-Hop Artists and Womanist Theology in the MDPI Journal as part of the Special Issue Women Still Run This Thing: Hip Hop, Womanism, Sexuality, and Religion. Academic Editors: Daniel White Hodge and Erika D. Gault.

Elected member of the Society of Encouragement and Education

Group Exhibition in Pekin, China.

Publication: Review of “Inka Essenhigh,” Miles McEnery Gallery, NY | ARTPULSE magazine, No. 32, Vol. 9

Presentation: “Aesthetic Visions of Emptiness: Art as Contemplative Practice” at the Metaphor, Making, and Mysticism annual conference of the Mystical Theology Network at the Department of Philosophy.

Curated "Manifesting Myths," as part of the Emerging Curators Program NYC. Local Project Art Space, Long Island City.

Podcast Host, July 2022. GUCCI / SUPERRARE Collaboration. Topic: "NFTs, Art, Fashion & Web3," Mini Podcast Series.