Installation project in southwest México, entitled ‘Casa Adobe’, using as primary materials field grass, earth, and burro dung. The structure covers approximately  200 square meters of terrain at the base of Mt. Picacho.

"Networks of Difference: The Drop City Commune, the Criss-Cross Collective, and the Aesthetics of Possibility" was accepted for presentation at the SECAC conference in  in Baltimore, Maryland

Chief Curator of Long Island City Open Studios Fall Exhibitions Art Walk. 200+ art studios and galleries in participation.

Adjunct CUNY Borough of Manhattan Community College

Promoted to Full Professor and Chair of the Fine Arts Department, Indiana University Kokomo

Awarded the Adolph and Esther Gottlieb individual support grant. The Gottlieb foundation awards 20 individual support grants to artists who are in a mature phase of their careers.

Book publication: The Maternal, Digital Subjectivity, and the Aesthetics of Interruption by Bloomsbury Press.

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Featured artist at Kaatsbaan Cultural Center Summer Season

Terrence joined The Studio Museum in Harlem in May 2022 as Chief of Staff. He will be reporting to the Director and Chief Curator, Thelma Golden.

Brown is working with Barbara Hielscher-Witte, Director at the  Expressive Arts Institute Berlin as part of the Masters in Expressive Arts Therapy program at the European Graduate School, Switzerland. In addition to this program, Brown is attending Expressive Arts in Transition (EXIT) and Community Ritual: Moving Toward Belonging After Trauma and Displacement.

Joined the new Pictor Gallery NYC, where she serves on their Governance.

Accepted to the 2022 NEH Summer Institute in Geo-Humanities at Northeastern University: "Engaging Geography in the Humanities."

Adjunct Assistant Professor of Literature at Hunter College, New York.

April 2022. Curated "Manifesting Myths," as part of the Emerging Curators Program NYC. Local Project Art Space, Long Island City.

“Historic Decisions: Looking Deliberatively at the Past.” Connections (2020): 21-28.

"The Oceanic as Perpetual Revolt: Intimacy and Negativity in Jeanette Spicer’s 'Sea (see)'" in Journal of the Association for the Continental Tradition (JPACT)

Adjunct Faculty at The Barnes Foundation

Appointed to CAA’s Committee on Women in the Arts for a three-year term. The committee supports and promotes the scholarship, art practice and careers of women in the arts.

Appointed President-elect of the College Art Association (CAA) for a two-year term (2022-24)

Appointed the Director of Operations of College of Arts and Humanities, College of Natural and Social Sciences, Adult Degree Completion and Online Undergraduate Studies at Point Loma Nazarene University in San Diego, CA

Essay "Art Activism and the Environment" is included in Ecothee Volume 6: Contemporary ecotheology, climate justice and environmental stewardship in world religions.

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Panelist for Art As an Act Healing Symposium. Baltimore, MD

Elected as Vice President for AICA-International.

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Published article Women Hip-Hop Artists and Womanist Theology in the MDPI Journal as part of the Special Issue Women Still Run This Thing: Hip Hop, Womanism, Sexuality, and Religion. Academic Editors: Daniel White Hodge and Erika D. Gault.

Contributor, Diversity Matters: The Color, Shape and Tone of Twenty-First-Century Diversity, Lexington Books, 2021

Forthcoming Book Publication: Wittgenstein and the Problem of Metaphysics: Aesthetics, Ethics and Subjectivity by Bloomsbury Press.

Was selected to co-chair the panel ""Mothering as a Work of Art" at the 2021 SECAC Conference.

Presented "Becoming Monumental: The Contemporary State of Black Female Subjectivity" at the virtual conference: Art, Access and Agency-Art Sites of Enabling.

Presented "From the Ground Up, Seeking Creative Commons" at the virtual conference: Art, Access and Agency-Art Sites of Enabling.

Solo Exhibition: "Imaginary Letters to Vasily Grossman, Post-WWII Repatriation to Soviet Armenia" at the Festival TransCaucases (INALCO) Paris, France

Solo Exhibition: "Vital Traces" at the University of Maine at Farmington. September 14, 2021

Presented “The Gaze of Anarchy: from the imaginary to its rehearsal" at the 12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).

Presented “Mourning as True Anarchy—Philosophical Thinking Reimagined as a Grieving-With Shared Ecologies Upon an Earth in Trouble" at the 12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).

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Presented "Motility of Being: How Otherness Emerges Through Art and Anarchic Play” at the12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).

Presented “Celebrating Bachelard’s Pyromenon Through the Practice of Good Fire, an Anarchic Ceramic Experience” along with Tim Freeman at the12th Annual Meeting of the Pacific Association for the Continental Tradition (PACT).

Book Publication: Politics and Heidegger’s Concept of Thinking in Contemporary Art. Routledge. September 2021

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Published "The Subject and Object in Knowledge and Understanding" (Article 3488) in the online journal Academia Letters.

Appointed: Assistant Teaching Professor at Villanova University, PA in the Communication Department (Courses: Film Analysis and Video Production).

Appointed: Instructor of Art at Clovis Community College, New Mexico

Was crowned Chief Erelu Awo of Iwaro Oka Akoko, West Ondo State, Nigeria. She was officially Pronounced by His Royal Majesty, Oba Akande Omiyejola. The Asin(King) of Oka land.

Conference Presentation: “The First Female Engineer at General Motor’s Descent into Alzheimer’s with Sundowners: A Daughter’s Scholarly Research and Case Study as Caregiver” at the Alzheimer's Association International Conference (AAIC).

Presented lecture entitled: "Bread Philosophy: Forgotten Justices in Situating Scott Nearing" as part of the 2021 Speaker Series at the Good Life Center in Harborside, ME.

Conference Presentation: "Georgia O’Keeffe and Martin Heidegger: On the way to Dwelling in the Threshold" at the American Society for Aesthetics Rocky Mountain Division Conference.

Co-Curator: "Futuring the Past: Contemporary Explorations of Traditional Performance Practices in Technology" at the The Society for Electro-Acoustic Music in the United States (SEAMUS) 2021 National Conference

Symposium Co-organizer and Presenter at the Midwest Biodesign Hub Launch.

Publication: "The Clock in Profile: How Marcel Duchamp Challenged Time to Become an Artist-Philosopher" in Marcel Duchamp: inventing the Present.

Department Head of Visual Arts at Pensacola State College.

Cover artwork and illustrations are published in Helen Najera Reyes book, Grandpa Lee's Stories, New Mexico to California. The book has also been nominated to the Latino International Book awards, under the young adult category.

Founder and Owner, SeedVerse LLC

Presented "Hair Straightening in the Hispanic Caribbean: Race, Commodification, Neurosis, and Passing Mestizidad" at CAA

Named "Adjunct of Year" for Rowand College of South Jersey

Awarded the 2021 California Arts Council Administrator of Color Fellowship

Appointed the Chairperson for the Diversity and Inclusion Committee for AES (Audio Engineering Society).

Appointed Arts Editor for Agora Gallery, Chelsea, NY

Presented “The Conjuring Visual Intermediaries: African-Derived Spiritual Practices In Visual Art” at Kosanba: The Scholarly Association for the Study of Haitian Vodou Colloquium

Book Publication: Machine Anxieties of Steampunk: Contemporary Philosophy, Neo-Victorian Aesthetics, and the Future by Bloomsbury Press

Publication: Chapted titled "Stealing Culture: The Internationalization of Critical Race Theory Through the Intersection of Criminal Law and Museum Studies" in the book Critical Race Theory in the Academy, Information Age Publishing

Mellon Project Director in the African American and African Diaspora Studies Department (AAADS) at Columbia University

Co -Director of Global Programs + Art Faculty at Greenwich Country Day School.

Appointed Assistant Professor, Art Department, Graphic Design & New Media at SUNY Potsdam

Presented "Black Anime Fans: A Discussion on Afrofuturism and Ascension" at Performing Black Futures: Performance Studies Focus Group Post-Conference

Presented "Humanity: Reflecting upon Belonging Beyond Boundaries" at the Universities Art Association of Canada (UAAC)

Presented "Performative Knowledge: Overcoming Static Epistemologies on Human Nature" at the Ryerson Philosophy Graduate Student Conference: Disagreement and Philosophy

Publication: A Psychological Journey into Otherness an essay in the book "Between Mobility Control and Social Transformation: Art/Interdisciplinary project Risk Change"

Participated in Exhibition "Washington Art Association Faculty Show" Washington Depot, CT

Appointed as a Visiting Researcher at Pompeu Fabra University, Barcelona, Spain

Participated in the Poster Session "Resituating Art in Education by Disrupting the Modern Conception of Time" at CAA

Teaching Introduction to Philosophy Spring 2020 at DigiPen Institute of Technology

Tenured Assistant Professor and Gallery Director at Georgia Southern University

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Professor, Art Appreciation at Baker College

Publication: "Valuing the discipline: refrains and riffs" in Landscape Review

Appointed to Head of Merchandising and Administrator at the Museum of the Grand Prairie

Publication: Review of “Inka Essenhigh,” Miles McEnery Gallery, NY | ARTPULSE magazine, No. 32, Vol. 9

Lecturer and Programme Director, MA Digital Media, National University of Ireland, Galway

Published: (Untitled), in the monograph Richard Hearns: Journey, to accompany Hearns' solo exhibition at Cadogan Contemporary

Chair, Department of Humanities, Paine College, Augusta, GA.

Publication: The Aesthetic of Art a Quiz E-Book by Cognella Editors & University Press

Associate Professor of Art at Northern State University.

Full-time Assistant Professor of the Practice and Digital Media Specialist, Georgetown University.

Appointed to Professor and Chair of Department of Art & Design at the University of Southern Indiana

Assistant Professor of Dance at Temple University, Boyer College of Music and Dance, with a focus on Africanist Perspectives in Contemporary Dance Practices

Attended residency Oral History in Liberal Arts Institutes at Antioch College and the American University of Bulgaria

Presented "Spacetime and Virtual Reality: temporal recalibration for neurological disorders such as Parkinson's disease, schizophrenia, ADHD, and autism by using movement contingent time flow in virtual reality" at the Society for Literature, Science, and the Arts National Hellenic Research Foundation in Athens, Greece

Foster Chair in Contemporary Art Theory and Practice and Distinguished Curator-in-Residence at Emerson College

Appointed: Executive Director of T.W. Wood Gallery in Burlington, VT

Solo Exhibition: Flowers and Figures for Mother’s Day, Atelier Lucia Gallery, Albuquerque, NM

Solo Exhibition: Gallery Sonia Monti in Paris

Round table discussion "Morality and Entrepreneurship" at Lighthouse's "Adventures 2019" in Seoul, Korea

Awarded: 2019 Male Artist of the Year by the National African American Quilt Convention

Participated in Artist Residency at the Studios at MASS MoCA

Co founded: Studio EA, a multi discipline creative firm focussing on architecture, art and collaboration.

Book Publication: Errant Bodies, Mobility, and Political Resistance published by Palgrave Macmillan

Full Professor: 2D and 3D Design, University of Memphis, TN.

Assistant Professor of Liberal Arts, Montserrat College of Art, Beverly, MA

Lead Researcher and Archivist for the Estate of Michael Brewster

Tenured Associate Professor at Abilene Christian University.

Appointed Adjunct Professor in Multimedia Studies, New York Institute of Technology, New York, NY.

Promoted to Senior Vice President of Academic Affairs, Rocky Mountain College of Art and Design. Lakewood, CO.

Program Officer, The Kettering Foundation

Executive Director, Western Kansas Community Foundation.