Yesterday

Poem By Samuel De Lemos ’24 Mexico City 2025

Poetic Cartography: Notes for a Post-Metaphysical Theory of Mapping

In a world of shifting borders and unstable geographies, poetic cartography offers an alternative to traditional mapping—one that resists rigid structures and embraces the fluidity of experience, perception, and relational fractures.

Care and Good Company at the Student Exhibition 'Repair: The Artist-Philosopher in Practice'

The Student Alumni Association organized a juried group exhibition to accompany the graduation weekend of festivities. Repair: The Artist-Philosopher in Practice,” curated by Dr. Samantha Jones, PhD 2023, and Dr. Rikeisha Metzger, PhD 2024, was presented in an impressive second-floor space not far from the Morgan Library.

Bodies of Resistance: Murals, Memory, and Marking Revolution

It was January in Mexico City, near the Zócalo, at a small studio called Yoka Art Tattoo. I had come prepared—design in hand, intention set—but the artist and I still struggled to communicate. My Spanish, his English, both broken, but trying.

Reverberations of Compost

Watching Los Voladores de Papantla (flying men of Papantla) outside the Museo Nacional de Antropología presents an overwhelming embrace of life and death through deeply rooted tradition while confronting the fine line between life and death. The ceremony is performed by several ethnic groups in Mexico and Central America, especially the Totonac people in the eastern state of Veracruz. According to UNESCO, the ritual expresses respect for and harmony with the natural and spiritual worlds.

'Aztec Philosophy: Understanding A World in Motion' by James Maffie

Mexico City is vibrant and energetic, filled with constant motion and activity. Maffie’s work, Aztec Philosophy: Understanding A World in Motion, was among the assigned readings for IDSVA’s 2025 Mexico City Residency, which stood out due to its philosophical depth.

The Inextricable Link Between Communities and Landscapes

The IDSVA Alumni Association organized a pop-up exhibition of artworks and performances by alumni in conjunction with a two-day panel centered around the theme of repair. In keeping with IDSVA tradition, the theme provided a broad scope for submissions that allowed presenters to draw from prior coursework.

The Intersection of Mystery and Sacred in Mexico

In January 2025, IDSVA brought first- and second-year students to Mexico City for a topological study of its rich and layered artistic and cultural heritage. The Mexico City Residency was marked by an atmosphere of mystery, concluding with an optional excursion to the Teotihuacan archeological complex.

Teotihuacán: A Transformative Experience

Teotihuacán originated in the first century CE following a volcanic eruption in the Cuicuilco region, which caused a mass migration to the northeast of the Valley of Mexico. Established as the first city in Mesoamerica, its name means "the place where the gods are born.

An Interview with Professor David Webb

David Webb is Visiting Faculty at IDSVA and co-taught a course last Spring. Originally from Birmingham, UK, Webb earned a Bachelor of Science degree from the University of Warwick.

Interview with Elina Staikou: new Dean of Students and Chair of Independent Studies and Dissertation Committees at IDSVA

In October 2024, I had the delight to interview Dr. Elina Staikou, who, in 2021, presented "Thinking the Nitrogen Anthropocene” as the third lecture of the year-long IDSVA virtual symposium, On the Anthropocene: Either/Or, addressing the role of art and philosophy in relation to ecology, climate change, co-existence, and sustainability as an existential urgency of our times.

With my Eyes: Art as a Lasting Platform for Disenfranchised Women

The 2024 Venice Biennale, renowned for its bold themes and global perspective, embraced the concept of "Foreigners Everywhere" this year, tackling migration, diaspora, and the fluidity of identity in an interconnected world. The exhibition pressed us to confront shifting landscapes and reflect on those forced to live on society's margins.

Book Review — Art as Information Ecology: Artworks, Artworlds, and Complex Systems Aesthetics by Jason Hoelscher

In his most recent book, Art as Information Ecology: Artworks, Artworlds, and Complex Systems Aesthetics, Jason Hoelscher, Associate Professor of Art at Georgia Southern University, unfurls the intricate relationship between artistic creation, complex systems theory, and the dynamic networks that shape art's conceptual and material landscapes.

Crafting a Canon of Color

During their Summer residency at Spannocchia, first-year students had the privilege of engaging with Dr. Jordana Moore Saggese, a preeminent Basquiat scholar and Director of the David C. Driskell Center.

Potters Grave or Grave of Pottery?: Taphological and auto-ethnographical observation of Monte Testaccio through Kraussian Poetics

Monte Testaccio, or the Hill of Pots, is an ancient garbage dump of broken pottery shards in Rome. During the Italian Residency, I was reminded of Rosalind Krauss’s theory on signifiers and indices, looking at the Monte Testaccio.

Peter Hujar: Portraits in Life and Death

While moving hurriedly along Venice’s Grand Canal to an art installation at the Biennale, I caught sight of a sign for a photography exhibition entitled Peter Hujar: Portraits in Life and Death. Published in 1976, the book Portraits in Life and Death is now legendary; for years, the original single print run made the book so scarce that it became a collector’s item.

Incarceration, Art, and The Gaze: A Reflection of The Holy See

The event, The Holy See, invites visitors into a rarely seen world inside the walls of an Italian women’s prison, allowing us to witness the intersection of art and incarceration. It’s a unique and immersive experience, melding the surreal and the real to capture the complexity of life behind bars.

Cycladic Figurines: In Conversation with Contemporary Art

With their mystical heritage surrounded by misconceptions, Cycladic figurines still present a unique intersection of aesthetics, art, and cultural and socioeconomic traditions. Their story offers input into the changing notion of perception and the power of poetic language. During our residency in Athens, we had a chance to visit the Museum of Cycladic Art, which is one of the most fascinating museums in the region. The museum holds one of the most comprehensive private collections of Cycladic marble figurines from the fourth millennium BC.

Magic in Siena: A Tale of Two Homecomings (of Sorts)

The ancient city of Siena is tucked amid Tuscan hills. Its design is said to have been a work of art intended to blend into the surrounding landscape. The city dates back to the time of the Etruscans, and its historic center is distinguished by Gothic and medieval architecture. It was one of the important and fascinating stops during the IDSVA intensive residency in Italy.

Interview: Artist Mel Edwards Talks About Art, History, and David Driskell

Melvin Edwards (IDSVA PhD honoris causa ’22) has had a sixty-plus-year career as a sculptor, broadly exhibited in the United States and internationally, who molds industrial materials like barbed wires, chains, and found steel objects into meaningful artworks—free-standing sculptures and installations—with cultural connotations, including his now-famous Lynch Fragments series.

“Precedence, Presence, and Presidents” A recap of the interview with Simonetta Moro and George Smith in New York City on April 20, 2024

This past April, the IDSVA community gathered in New York City to celebrate the largest roster of degree recipients in the institution’s history—thirty total; twenty of whom participated at The Morgan Library commencement ceremony in person. In addition to commencement, the event marked the passing of the sacred presidential torch from IDSVA founder Dr. George Smith to Dr. Simonetta Moro. Moro is IDSVA’s second president and first woman president.

A Toast to a Toast

Artist-philosophers united for a weekend of joyful gratitude and loving celebration in honor of the largest cohort of graduates in IDSVA’s history, and the historic retirement of founder and president Dr. George Smith.

A Toast to an Ethos of Care: An Epilogue, It’s Alright, It’s Okay

At IDSVA’s in-person symposium, A Toast to an Ethos of Care, Jeca Rodríguez-Colón and Gabriel Reed, the co-curators of the event, were nothing short of amazing. What started as an open invitation for anyone associated with the IDSVA family to contribute their artistic and philosophical musings via academic papers, visual art presentations, and performances, turned into a vibrant celebration.

Mexico City: A World of Many Worlds

IDSVA’s intensive residency in Mexico City, takes students to a location that embodies a vibrant cultural history that brings together diverse peoples and languages of multiple cultures and ethnicities. It is a powerful topological space that threads a complex fabric not only of Mexico but reaches far into the Mesoamerican region. The residency is an introduction to the possibilities of pluriverse. A World of Many Worlds, a core reading for the residency, opens the dialogue of what it means to consider a pluriverse.

The Blazing World, Or the Climatological Imperative: From Inaction to Reimagination

Emmanuel Kant’s categorical imperative has been subsumed by a new inexorable force, bubbling up from the molecular: that of the climatological imperative. No longer is it safe to think of a world outside, separate from and organized by the perceptions of the anthropocentric self, rather, it is crucial that human ontology begin to acknowledge its deeply inextricable relationship to the habitat which we constantly reshape, and in which we constantly leave traces.

Morocco, Beyond the Beautiful: The Role of Women in Defining Amazigh Identity

Golden hour is a magical time for photographers and painters – the first hour of light just after dawn and the last hour before sunset, when light is gentle and warm, and objects appear diffused. Moroccan light has the same quality, but it lingers through the day.

Concealment and unconcealment in artist Estefanía Peñafiel Loaiza’s work Carmen (prologue)

In the piece Carmen (prologue) viewed at Espacio Arte Actual, Quito Ecuador under the exhibition "From One Gaze, Another" French-Ecuadorian artist Estefanía Peñafiel Loaiza veils and then reveals a truth.

MAESTRAS: an Overdue Tribute to Women Artists Neglected by Art Historians

Prehistoric cave paintings and artifacts reveal the long history of the artistic expression of women, displaying their intellectual capabilities, community orientations, and creative spirits.

Student and Alumni Spring and Summer Updates

Check out the latest conference papers, awards, and exhibitions around the world with IDSVA students and alumni.

Learning to Worship: A Review of Dejan Lukic’s The Oyster (Or, Radial Suppleness)

Leave it to Professor Dejan Lukic to situate us toward the “supple amassing of the sea” (6). Bivalve mollusks, born from maternal seas of the Cambrian era, are the neither-fauna nor-flora subject examined in his book, The Oyster: Or, Radial Suppleness. Published in 2020, Lukic co-authored this treasure with Nik Kosieradzki using a method called ‘hallucinalysis.’

A Changed Perspective: My Visit to La Casa Azul

It was a bright and clear January day when a group of us visiting Mexico City for the January 2023 residency headed to the vibrant Frida Kahlo Museum, La Casa Azul, in the Colonia del Carmen neighborhood of Coyoacán.

On Michel Serres’s The Birth of Physics: a Lecture by ​​Dr. David Webb

During the 2022 summer residency at Spannocchia Castle in Tuscany, IDSVA students and faculty members, Dr. Simonetta Moro, Dr. Dejan Lukic, and Dr. Jason Hoelscher, engaged with visiting guest Dr. David Webb, Professor of Philosophy from Staffordshire University in the UK.

How to be Human: A Conversation with Erin Falker-Obichigha

At the 2023 Commencement ceremony in the cultural treasure that is Mexico City, Marvin Milián (2020 Driskell Fellow), Terrence Phearse (2021 Driskell Fellow), and the IDSVA community gathered to introduce Erin Falker-Obichigha as the 2022 recipient of the Driskell Fellowship Award.

Mystical Encounters and Cultural Agencies: Margarita de Orellana and Alberto Ruy Sánchez in Tenochtitlán, the Aztecs’ Ancient Capital

Upon our arrival in Mexico City, on the first night of our astral dreams, we touched the serpent of the patios and the gardens of Tenochtitlán. It was not the evil serpent of the Spanish conquest, nor Huitzilopochtli, the ancient earthy serpent of the Aztecs, mother of the sun god and god of the war, but the serpent of Los Sueños de la Serpiente, by Alberto Ruy-Sánchez, where the main character recreates his past and reinvents his ancestors with the many lives within himself.

Seance-sorium: An Event on Thinking-Becoming-Plant

The Plant Contingent is a creative collective formed in 2020. Members include Ana Fernandez and Maria Patricia Tinajero, who recently received their doctorates in January 2023, and Sam Jones and Nandita Baxi Sheth, who are currently working on their doctoral dissertations.

Water

As an artist, I am interested in human groups' interaction with and through water and how water deals with human-made reality. My works reflect water as a universal medium connected with living or lifeless things.

IDSVA at the 2023 CAA Conference in New York City

The first time I went to New York City was in April 2022, during my first winter residency with IDSVA. I did not know what to expect, and it was a short trip. Luckily, I was able to head back to NYC in February after receiving an invitation from one of my closest IDSVA colleagues, Veronika Golova ’21, and a recommendation from Dr. Simonetta Moro.

Ilit Azoulay’s Queendom: Israeli Pavilion in the Giardini of the Biennale Arte, 2022

During this summer’s residency, I became inspired by the Israel Pavilion in the Giardini at the 59th International Art Exhibition – La Biennale di Venezia, which featured the internationally acclaimed artist Ilit Azoulay from Israel who lives and works in Berlin. In particular, I highlighted the Israeli pavilion because Azoulay’s work reminded me of lustrous maps.

Hermeneutics: La fleur des amants, par Nadja, 1926

The final destination of our summer residency included an incredible day at the 2022 Venice Biennale, titled “The Milk of Dreams.” One of the rooms in the main pavilion at the Giardini was devoted to women artists who were instrumental in the birth of the Surrealist movement. The room created a space for and shined a rapturous light on female creativity— particularly works of art overlooked or lost as fragments amidst the prominent canon of male Surrealist artists. La fleur des amants (Figure 1), by Nadja, is precisely one of these fragments, an ephemeral drawing that radiates anew in the context of this show. 

Norman Foster’s Vatican Chapel: A Hermeneutical Analysis

If the United States is a bellwether of global trends, organized Christian religion is experiencing severe and impactful stresses to once-settled principles. On the one hand, notions of proper behavior toward fellow human beings, which historically have often been inspired by the ethical, humane actions of Jesus Christ as recounted in the New Testament of the Bible, appear out of vogue.

Kehinde Wiley: An Archaeology of Silence

This article discusses the relationship between the fallen heroes and monuments through Kehinde Wiley’s paintings and bronze sculptures in connection to a Hegelian dialectic for recognition. Hegelian recognition is defined through self-consciousness, which leads to the fight to the death for recognition of the master-slave dialectic and is evident in the artwork’s formal features seen in Kehinde Wiley’s exhibition An Archaeology of Silence.

Moroccan Memories

Summer 2022 residency in Morocco was a kaleidoscope of color, texture, taste, and kinship that was small in group size but large on intellectual impact, spiritual influence, and creative intrigue. From the architecture of medieval mosques, to the spicy and fragrant tagine culinary dishes, to the insightful philosophical lectures, to the day trips led by the very dear and kind-hearted Dr. Ilham Ibnouzahir, it is difficult to pinpoint what was most memorable. What is easy to recall is that every moment felt magical. As much as we were there to absorb Moroccan culture, it was the indigenous people there (and their artistic imprint) which offered opportunities of reflection and serenity to open up our minds and our hearts to deeper conversations, individual reflections and readings, and insights to each other and the ideas behind— and developing towards—our dissertations.

A Paris Dérive with Philosophy on the Mind

We packed our bags and woke up in Paris, France, where rainy tarmacs greeted us in the city of lights. We rambled our way through the transit system and popped out at the Arc de Triomphe. Let the revolution begin! We embarked on a somewhat post-pandemic residency through Europe for four weeks in six cities. France and Italy unfolded in all their splendor and challenges. We became awake again after years of quarantine and sacrifice and kicked off the adventure in Paris.

Emilia Kabakov Talk New Museum, NYC Residency

This essay reviews a talk between artist Emilia Kabakov and IDSVA Director Dr. Simonetta Moro. The talk was part of the 2022 IDSVA New York Residency bringing together faculty, staff, and students in person after two years of pandemic travel pauses. Moro asked Kabakov questions as they sat on stage in a lecture hall in the auditorium of the New Museum in New York City. Emilia and her husband, the artist Ilya Kabakov, collaborate on a variety of projects, including installations and public sculptures

Chef Nephi Craig: Landscape as Destiny, and Western Apacheria & The Culinary Art of Self-Determination

Food nourishes the body—bodies require the intake of nutrients for physiological and cognitive growth. Food, as the old adage goes, also nourishes the soul. In a series of lectures to IDSVA, Chef Nephi Craig describes his use of indigenous foodways as a therapeutic modality to repair the detrimental physical, psychical, and spiritual effects of colonial violence. For Craig, growing, preparing, consuming, discussing, and sharing indigenous food act as powerful restorative practices to nourish various aspects of Native American life. 

“Mapping A Friendship”: Joyce Kozloff and Simonetta Moro

The Gallery of Art of Temple University Rome in participation with the American Academy of Rome presented the virtual exhibition of "Mapping A Friendship": Joyce Kozloff and Simonetta Moro on Tuesday, May 18th, 2021. The exhibition was accompanied by a conversation with the artists, who are also two fellows of the American Academy in Rome:Joyce Kozloff, a recipient of the distinguished Rome Prize, and Dr. Simonett aMoro, the recipient of the prestigious Italian Fulbright Fellowship in the Visual Arts.

Connecting with Kites: A Visit to Aga Ousseinov’s Studio

When we entered Aga Ousseinov’s studio – albeit virtually – I noticed what initially looked like wall hangings in the background. As Ousseinov discussed his work and his interests, I was excited to know that he designs kites and has interests in aviation and futurism.

Steampunk Art and Contemporary Philosophy

Steampunk art finds itself at the intersection of nineteenth-century aesthetics and the technology of an imagined and distant future. How did I find this fascinating genre and end up writing about it for my doctoral dissertation? Soon after enrolling at IDSVA, I encountered Steampunk at the San Diego Comic-Con, a huge gathering of comic book fans, technology geeks, and entertainment industry insiders.

Writing in Collaboration (A Practice for Ecological Thinking)

Last year, I had two writing projects published. The first one is the article: “Porous Bodies, Toxic Kin: Mapping the Massena Critical Zone,” in the peer-reviewed journal, Writing Visual Culture Vol.10 (2022): “What the World Needs Now is Artists Engaging with Science.” The second is “Hidden Architectures in the Urban Landscape (Brownfields, Landfills, and Phyto-scapes),” for the upcoming book: Design in(g) Environments: Social and Cultural Implications of Architectonic Landscapes, edited by Dr. Sarina Miller.

New Book Publications page on idsva.edu

We are very pleased to announce the launch of our newly designed website, idsva.edu, where every aspect of the PhD program is covered in detail. In particular, we are proud to highlight the publications of our students and core faculty.

Interview with IDSVA Board Member Dorit Yaron

Dorit Yaron is a curator, museum professional, grant writer, art historian, and now, member of the academic affairs committee and the board at IDSVA. Since 2004, she has served as the Deputy Director of the David C. Driskell Center for Study of African American Art at the University of Maryland, College Park.

Terrence Phearse in Dialogue: A conversation with 2021 Driskell Fellow Terrence Phearse and 2020 Driskell Fellow Marvin Milian

Terrence Phearse is 33 years old and lives nearly 3,000 miles away from me in New York City. He’s a researcher, photographer, writer, and curator who comes to IDSVA through a life of World exploration. We are separated by millions of people, hundreds of cities, numerous states, yet we are at IDSVA studying together. Somewhat fortunate, I’d say.

Daphné Le Sergent: Object Photography and Drawing as Sensuous Visuality

During the IDSVA Summer Residency in June 2021, students and faculty enjoyed a lecture and virtual exhibition titled Photo-Drawing- Passage-Line, Haptic and Sensory Habitus by Daphné Le Sergent.

Book Review: Howard Caygill: On Resistance: A Philosophy of Defiance

In On Resistance: A Philosophy of Defiance (2013), Howard Caygill describes Kafka’s parable, Before the Law, detailing the duel between the "Doorkeeper and the Man from the Country’ and how the parable forms an “exemplary meditation on the success and failure of resistance” (Caygill, Afterword).

The Ecological Work of Art with Giovanbattista Tusa

There is no doubt that close reading brings us into close relation with texts. This way of reading (and re-reading) is a hermeneutic engagement that fosters novel insights and pathways into and out of the work. It is important to acknowledge, however, that the vitalism at the heart of the work of hermeneutic reading is a reciprocal responsiveness; the close relationship between text and reader develop in relation to each other—in response to one another—that is, ecologically and alive.

“Inhuman Caress, or, Cruelty and Vulnerability” A Lecture by Dr. Dejan Lukic

On October 23, 2021, Professor Dejan Lukic offered an intriguing lecture on the presence of the wound in the animal world, opening with a quote from Friedrich Nietzsche: “One should have more respect for the bashfulness with which nature has hidden behind riddles and iridescent uncertainties” (8).

Howard Caygill “Planetary Aesthetics”

In the first of the fall lecture series, “On the Anthropocene: Either/Or,” Professor Howard Caygill presented on the concept of Anthropocene which at its root identifies humanity’s comprehensive impact on the environment.

The Virtual Residency: A Conversation Between Hannah Christian and Starr Page

Due to Covid-19, IDSVA postponed our summer 2020 and winter / summer 2021 residency programs. The students participated in virtual instruction for these residencies and will make up the in-person residency in Summer 2022. Here are some thoughts on the virtual residency experience.

CAA 109th Conference - Virtual Panel Recap: The Freak Show in Contemporary Culture and Aesthetics

In a Bakhtinian surplus of seeing and intersubjectivity, Jill O’Connor (Cohort ‘16), Arrie Fae Bronson-Davidson, Marie A. Roberts, Billy X. Curmano, and I engaged in a revealing discussion that boldly presented our lived perspectives in both life and art through the Freak Show for the CAA session entitled The Freak Show in Contemporary Culture and Aesthetics. As a postmodern form of art, the Freak Show or the sideshow, as it is sometimes known, is most powerful when used as a vehicle for social commentary and advocacy.

CAA 109th Conference - Virtual Panel Recap Reframing Aesthetics: Diaspora, Historicity, and The Myth of Truth

The session entitled “Reframing Aesthetics: Diaspora, Historicity, and The Myth of Truth” was presented at the 2021 CAA conference and co-chaired by Carolyn Martin and Jocelyn Holmes. The panel included presenters Kimberly Alvarado and Natalya Mills. Each panelist presented papers that challenged traditional Western concepts of aesthetics in relation to visual representations of the African diaspora in philosophical thinking and historical narratives. Through their scholarship, these panelists demonstrated how aesthetical hierarchies, which are determined by mythologized notions of truth, must be examined and confronted for the methods by which they justify and perpetuate the attempted erasure of diverse perspectives.

CAA 109th Conference - Virtual Panel Recap The Aestheticization of History and the Butterfly Effect

The session "The Aestheticization of History and the Butterfly Effect," at the 2021 College Arts Association (CAA) opened with what resembled a poetic psalm by the American artist Kara Walker.

A Release from Humanness: Highlights from Dejan Lukić’s Lecture, “Deranged Vivarium”

Dejan Lukić, esteemed IDSVA professor and prolific author, presented an intriguing lecture called “Deranged Vivarium” (Variations on Co-Existence) for the January 2021 Virtual Residency. Lukić’s teaching and writing encompass art, philosophy, biology, the culinary arts, and anthropology. Working with Lukić for my Independent Study II on oceanic consciousness and reading his wonderful text The Oyster, Or, Radial Suppleness co-authored with Nik Kosieradzki (2020), I have learned he is quite adept at multi-disciplinary approaches to the critical thinking process.

Thinkability: On the Anthropocene Lecture Series with Giovanni Tusa

It should be particular of any conversation regarding the Anthropocene to interpret it as an aesthetic invitation. The typical and cynical referential treatment of the anthropos in this consideration is to see it as the epitome of the destructive nature of man in a changing eco-system; as the extractionist in a dominant science of reductionism (or colonial anachronism in an evolving world). In a recent lecture entitled, Revolution Anthropocene: Geoaesthetics of the Planetary Condition, Professor Giovanni Tusa informs us that the isolated anthropos has become a distorted representation as a “very special kind of ‘human being’...defining this age...as a hero of civilization.”

Art in the Enlivenment with Andreas Weber

Biophilosopher Andreas Weber presented the second talk of the IDSVA Spring 2021 Lecture Series On the Anthropocene: Either/Or, with the lecture: Culture as Reciprocity: Towards Ecological Citizenship. The online event took place on March 20th to a virtual audience of more than 100 participants from the IDSVA community and beyond.

Natalie Loveless: From Relational to Ecological Form: Erasing the art-life divide

The lecture “From Relational to Ecological form” by Natalie Loveless proposes a reflection on the contradictions of Nicolas Bourriaud’s notions of relational aesthetics and the difficulties of shifting from theory to practice in a way that erases the borders of art and life. Loveless tackles the possibilities of making art at the end of the world that “can be mobilized as a leaver to create carefully attuned and just practices.” By this, Loveless reflects on how form informs content, or, to be more precise, how form is content.

Agency, Empathy, and Kinesis: The Alliance of Subject and Object in Theatrical Puppetry

During the IDSVA Spring 2021 virtual residency, cohorts ’19 and ’20 had the great fortune to attend a lecture entitled Of Moving and Being Moved: The Subject and the Object In Puppetry and AI, presented by Dr. Jane Taylor. Professor Taylor holds the Andrew W. Mellon Chair of Aesthetic Theory and Material Performance at The Laboratory of Kinetic Objects at The Centre for Humanities Research at the University of the Western Cape, Belleville, Cape Town, South Africa.

Professional News Spring 2021

Since enrolling at IDSVA, students have led panel discussions and presented papers at prominent conferences, published papers and articles in leading publications, been awarded fellowships and promotions, and participated in solo and group exhibitions around the world. We’re pleased to announce that four of our recent graduates have forthcoming book publications from their dissertations.

Book Review: László F. Földényi: Dostoyevsky Reads Hegel in Siberia and Bursts Into Tears

We may be more familiar with the names of Dostoyevsky and Hegel than of the author of Dostoyevsky Reads Hegel in Siberia and Bursts into Tears, László F. Földényi, professor at the University of Theatre, Film, and Television in Budapest, Hungary.

Through the Looking Glass: Duveen and Berenson

For my Fall 2020 Independent Study, Dr. George Smith, our respected President and founder of IDSVA, assigned me a task.

Book Review: Santiago Zabala: Being at Large

As I write this, the Presidential election looms less than two weeks away in the United States of America, and the world peers anxiously in as political parties brace themselves on opposite ends of a dialectic. Media storms engulf the digital airwaves while the world’s political culture buckles under a fervent reality of alternate facts.

Book Review: Jean Luc Nancy: The Fragile Skin of the World: Philosophy and Ecology

On June 15, 2020, our cohort had the pleasure of participating in the summer’s philosophical event with a lecture by Jean Luc Nancy on the Sense of the World (first published in 1993), introduced by Dr. Giovanni Tusa.

Book X of Plato’s Republic and A Breath of Reflection

At this moment, I am sitting and I am taking time out to breathe, to breathe for jus(tice) this one moment in time that allows me to be, just to be me. As I sit here reflecting on my 2020 Summer Residency experience at IDSVA, I see the rise and the fall of my chest, as I inhale and I exhale.

Summers with George Smith

Last year, Summer 2019, IDSVA students were on the countryside, together enjoying organic Italian cuisine while acting out Manet’s Olympia painting to develop a possible narrative in the name of hermeneutics. After a whirlwind week in Rome, we arrived at Spannocchia, a Medieval castle and farm in the hills near Siena. Spannocchia was a beautiful and trying time for me.

'Haunted Berlin’ Bearing Witness to the Dead

Last summer, due to Covid-19, we could not take a trip to Berlin as planned, so IDSVA had to move our intensive residencies online. During our second year Topological Studies summer course, Professor Howard Caygill prefaced that he would not be giving the usual lecture with Q&A, but instead would provide the experience of a virtual, walking tour of Berlin.

Heartening the Biocentric Turn: A Review of the First International Colloquium Visuality and Power

Presenting our papers at the First Colloquium of Visuality and Power: The Visual Turn in Socio-Environmental Struggles, Quito-Ecuador allowed us to deepen our ongoing conversations of plants, soil, indigenous knowledge, cholos, longos, and more topics that straddle the conceptual and practical North-South borderlines.

A Topological Cycle Pre-Symposium Thoughts

The following is an exchange between Jeca Rodríguez-Colón and George Orwel, two IDSVA PhD candidates who participated in the IDSVA Student Symposium “Difference and Opacity: New Topologies of Thought” on November 21st, 2020. This exchange took place in anticipation of the Symposium.

Everywhere and Nowhere: Elina Staikou’s Lecture on Immunity and Migration

Elina Staikou, an Associate Professor of Liberal Arts at the University of Winchester in Hampshire (UK) has written numerous texts on migrations, boundaries, and the metaphysics of travel and writing. As a guest lecturer for our IDSVA Topological Studies II program in the Summer of 2020, she offered insights into Martin Heidegger, Donna Harraway, Jacques Derrida, and Immanuel Kant, among other philosophers.

Meaning and Narrative: Reading Paul Armstrong

In this write-up, I read Paul Armstrong’s article “The Conflict of Interpretations and the Limits of Pluralism” (1983) with his Stories and the Brain: The Neuroscience of Narrative (2020) for a short intertextualized review.

A Conversation with Marvin Milian, IDSVA Driskell Fellow

Someone knew that Marvin Milian and I needed to collide. Not to meet, but to collide. “To strike together.” The interview transcribed below constitutes a collision of two David C. Driskell Fellows, two parents (each with two children), raising families on two opposing coasts, striking-together a set of new thought-chords as artist-philosophers.

IDSVA Faculty News

We are very excited to announce two Visiting Faculty appointments for the coming spring semester at IDSVA: Professors Grant Farred and Jane Taylor.

Professional News Spring 2020

IDSVA Alumni Association Announcement

Accepting Angst in Marfa, TX

Paul Goesch: Confines of a Beautiful Soul

Once Upon a Time in Mexico

Walking in Roma

The Trotsky House

¡Víva La Vida!

A Studio Visit with Iñaki Bonillas

Interview: 2020 Ted Coons Dissertation Prize Recipient Dr. Keren Moscovitch

Anxieties and Paradox at the Templo Mayor

Surface Matters in the Visual Arts: Giuliana Bruno’s IDSVA Commencement Address

Remembering and Imagining with Carmen Boullosa

Interview with Dr. David C. Driskell

IDSVA Driskell Fellows Remembering Dr. David C. Driskell

The Vision of David C. Driskell

Editorial

Professional News Fall 2019

Critical Reflections of Works of Art: Carl Beam's Time Dissolve

Critical Reflections on Works of Art Found on View at the Colby College Museum of Art

Book Review: Breathing Chaos and Poetry by Franco “Bifo” Berardi

Rome Reflections: Dr. Deborah Willis In Pursuit of Beauty

Interview with 2019 Driskell Fellow Kimberly Wade

Wonder at the Agora

An Interview with Brooke Grabiec, recent IDSVA Alumna

Field Hospital X at the Israeli Pavilion: Discerning Relevant Questions?

Interview with Dr. Dejan Lukic

Lessons Around the Table

The “A” of Action an excerpt from Unexpected Turns: An Interview with Jill Moser

Going home to the Brooklyn Museum

Getting to Know Sam Jones, Cohort ’18

A First-Time Nominee Takes Us Behind the Scenes at Grammy Week

Trembling Thinking

Reversible: A Conversation with Anna Marie Rockwell

A Look into the Handmade Future

L.A. ArtDoors open<— —>not open

Picturing Nomadic Ways of Being in the World

The nowness of experience: a dinner conversation with Professor Ted Coons

Spring ’19 Editors' Note

Hermeneutics – The Choosing of the Arrow

Hermeneutic Critique of Leader by Betye Saar

Three Methods Applied to the Colby Campus

Three Critiques of Anish Kapoor's "Untitled"

Formalism, Phenomenology, Hermeneutics

The Silk Merchants, Experienced Phenomenologically

Judy Crook 5: Analysis Through Phenomological Methodology

The Intertextual and Dialogic of Time

Encounter with Topologies of Memory

Book Review: Why Only Art Can Save Us: Aesthetics and the Absence of Emergency by Santiago Zabala

Interview with Jason Hoelscher

Editorial

Professional News Spring 2018

Louise Bourgeois on Repetition and Multiplicity

SRL Does NYC

Brenda Biondo: Play

An Emotional Gut Punch: Protest Art at the Whitney

IDSVA at The Museum of Arts and Design (MAD), New York

Excursions in Space: Robert Irwin at Dia:Beacon

Reflections on Grace

The Only Light We've Got: Soul of a Nation in Bentonville, Arkansas

2018 Ted Coons Dissertation Prize Winner: Mary Anne Davis

Editors' Message

Political Art or Artful Politics: Capitalistic Illusionary Undertones of Art Patrons

Hope for Better Days: Art and its Reflection Upon a Fractured Condition

Topology on Ice: Antarctica & the Arsenale

Baroque Intertextuality: McArthur Binion, Koons, & Titian

The Tension Between Spectacle and Intimacy

Prismatic Perspectives: A Biennale in Three Parts

On Gathering and Storms: Neto’s Piece in Context

Authentic Fakes and Fake Authenticity at the Venice Biennale

Common Place in Chaos

Joy and Fear by the Theatrum Orbis: Contrasting takes on a Biennale Theme

Celebrate Art!! The Essence Of The Baroque At The Venice Biennale 2017

Venetian Biennale: East-meets-West

I'm Working on The Building: Dr. David Driskell and the Black Aesthetic

On the Baroque: Franco ‘Bifo’ Berardi and Chaos

Navigating the Free Thinking Zone: A Symposium in Athens

Aesthetic Insecurity in Berlin

IDSVA David Driskell Fellow Profile: Natalya Mills-Mayrena

Director's Message